Sons of Hermann Hall is the farthest outpost of the
Silvers has found a perfect six in the current members of his band of merry men. The rebirth of pop rock band [DARYL] with a new concept album,
“We decided to combine everything together; drinking beer, having fun, and playing music. With each other,” says Lamm.
Christensen goes on, “It’s rare that six guys work this well together.”
“Or drink as much,” finishes Lamm.
The revolving door of [DARYL] membership seems to have ended. Even Beau Wagener and Justen Andrews, both on keyboards, aren’t new to the band, only new to the liner notes. Wagener was a friend who had had cameo spots on the stage with the band before. “[DARYL] was a saving grace (for me because I was) in a bad spot, musically, the entire time that I was in my old band and everything just kinda sucked, but these guys were there for me. Then Dave (Christianson)’s band broke up and he joined [DARYL], and a little bit later, my band broke up. When they asked me to join, it was like, ‘fuckin’ hell yeah, whatever you want me to do,’ and now I want to do that better than whatever.”
Andrews remembers the down period, but confirms the band has moved beyond it. “As a fan, I was just sitting around waiting for [DARYL] to break up. A lot of people thought the band was over. Dave, Beau, and I used to be frontmen of our own bands. It sounds weird that we all took a step down, but yet I feel more a part of this band playing keyboards on the sides, singing backup vocals than being front and center stage.”
In terms of [DARYL] history, this line-up is rock solid. The band began touring in March, with a trip to
Dylan Silvers is the image of an archetypical artist; a troubled youth, a quiet personality, and a creative drive to perfection. His voice is rough, utterly distinctive, and reflective of the painful childhood that he left behind to move to
Why didn’t they just scrap the awkward brackets and 1980’s retro band name when they had the chance? Lamm is concise about his opinion: “No, it was our name.” Silvers explained in a bit more depth, “I wanted to see where the album and the songs could take us instead of throwing away the material. I don’t necessarily say we were breaking this amazing new ground, but I felt really deep about the lyrics and for me it’s hard to write lyrics. I wanted that to come out and say, OK, what’s gonna happen next? And that’s where we are now.” The material required that they keep the name [DARYL] and all that went with it. “The record is what we are,” says Silvers, but Andrews elaborates, “We wanted to play the old songs, the songs that they, we, always played. We’ve added material, more instruments. The EP was recorded before, and it was added to, not taken away from. Dylan’s always been the key songwriter.” So the brackets stay and the old songs never sounded better.
Girls and apologies are the theme of many of Silver’s lyrics; “I don’t wanna really hate you now, I’m sorry,” from “Jenny,” “It was an accident, don’t you go,” from “Natalie.” But Silvers makes no apologies for his band. “When all the line up changes were happening, [DARYL] was a musically defeated band and we had all these songs but they weren’t coming out the way we really wanted them to come out. We didn’t even know how that was going to happen. (After setting the new line-up) everything started to blossom again. That whole period was probably the darkest period of the band, and for me, musically. I won’t say Spammie and I were holding on by threads… I couldn’t have done that now, but back then we were gung-ho to just keep the ship floating.” Silvers has a knack for bringing together musicians and he only needed to reach out to the talented friends already around him. The down time for [DARYL] didn’t last long. “I wanted to start the band and it wasn’t about people,” grouses Silvers. “It was about songs we were playing but that’s impossible to do because all the people were involved and all the emotions involved. A band’s a friendship. (When a musician leaves the band), it’s like going out with a girl and then having a relationship and them breaking up with you.” Maybe that’s why [DARYL] has gone through so many iterations; in all relationships, it takes a while to find just the right combination.
Back at Sons, Silvers leans across the bar and laughs with a few acquaintances over a private joke. Down at the other end, a patron needing a new Shiner catches his attention and he’s off with a smile, sailing from one group to another. He wouldn’t rather be anywhere else, except maybe with his guitar. Silvers is a man in demand these days, by friends and thirsty strangers needing alcohol and a musical fix. He’s happy. Settled in this spot, he’s where he wants to be, his music is made, and the real fun of touring with his buddies is happening.
Signed in 2002 to Idol Records, [DARYL] has what a label needs. “They’re in it for the right reasons. They just like playing music,” says Erv Karwelis, owner of Idol. “They have fun on the road and actually look forward to going on tour, so many bands don’t. They love to play, and everywhere they go it’s an adventure. Their egos are in check and they’re realistic and know that being in a band’s hard work and they’re willing to do that work. [DARYL] gets in the van and they’ll go play
Heading out on the road isn’t a posh affair for this band. It’s slogging around packed in a van, every seat taken, pulling a U-haul with their equipment, and hoping that everyone agrees to what’s on the tape player. “I was playing Cocteau Twins coming home from Odessa,” remembers Silvers, “I had put it in there and turned it up real loud in the back and they were like ‘It’s funny’ and they popped it out and I was like, ‘No, I was listening to that. That wasn’t a joke.’” Wagener shakes his head, “I woke up out of a nap, and was like, ‘what are we listening to?’”
Jeff Parker sums up the mood. “Sure, when you’re in a van with six dudes for two weeks, there’s gonna be little nitpicky shit that you argue about, but it’s nothing major and there used to be major stuff that we would fight about and it was just ridiculous. I’m sure down the road, there probably will be something major that we will fight about, but as far as right now goes, everything is superpositive.” That something major may be the lack of input the newer members of the band have into the creative process of songwriting. Both Wagener and Andrews joked about having a say in the creative process, which Silvers was quick to good-naturedly quash. In the euphoria of the year ahead, that may not matter at all. This year is about getting
Karwelis is optimistic, too. “It’s a slow process, but every year that goes by, they keep building on what they have. They’ve been charted in stations in
The hard work is beginning to pay off and the guys are ready to jump over a few more forbidden gates. Touring to
He’s right, too. Idol signed a deal with Tridentstyle Records in
[DARYL] is a huge ensemble group with seven members to fill every available inch of stage at any given moment. Bass, three guitars, two keyboards, drums, four vocalists, plus a horn player. Did you count more than seven instruments? Each band member does double duty. No slacking if you’re part of these audiophiles. Silvers is hesitant to define the heart of their music. “We are definitely a melodic rock band and we like to add a lot of stuff to recordings but, live? The problem is we don’t have a sound guy and even as a six piece it’s a pain in the ass to make everything sound good. At the
Karwelis is optimistic though, that the band will grow enough to afford those luxuries. “It’s not three guys playing guitar and bass and drums. To get a good soundguy on the road, that’s not cheap. You really have to get to a pretty big level before you can pull that off. But, yeah, I could see it happening.”
“It doesn’t mean we’re not gonna play as a six piece,” says Silvers, “but it does mean that we’re not always gonna sound the way we want to sound. We always oversaturated our recordings, like now with the
Lamm is pretty clear on live vs. Memorex: “You couldn’t mimic the stuff that’s on the CD with a 4-piece.”
Parker laughs. “If you really wanted to play every song on the CD you’d have to have 11 guitars” and Christiansen joins in, “… and a backing band.”
“Yeah, that didn’t work out,” Silvers shakes his head slyly, “Kind of hindered the live show.”
“We just feel like we have to deliver in other ways by putting on a good show,” says Lamm, “I think if we concentrate on trying to play every note exactly right it would become stale. I think if we ask for too much, it wouldn’t work out.”
Silvers continues, “It’s a simplistic six piece, and no one exaggerates or overplays their instruments. It’s real simple, but combined you have a wall of sound.”
“If you take six different simple ideas and put them together it sounds way better, like a complex three piece,” says Lamm.
“We’re basically a power trio,” jokes Wagener, “with three extra dudes.”
With a big van that’s hitting the road, packed to the gills.
The old jukebox at the end of Son’s bar has a hip selection that leans more toward Merle Haggard and Dixie Chicks, but there’s a Slobberbone and the requisite [DARYL] in there, too. Wednesday nights, though, it’s quiet and the CD player behind the bar plays Silvers & Co.’s latest listens. Beatles, Beach Boys, Cocteau Twins when Dylan’s manning it, and a more avant garde selection when Wagener’s DJ-ing for the troops.
“What it all comes down to is that if we weren’t in a band together, we’d still be hanging out together, and we’re best friends and that’s the honest truth,” says Silvers. Nicht mit dem Wagenfurher Sprechen says the Bud advertisement over the bar -please don’t speak to the driver- but it certainly can’t mean don’t speak to the driver of [DARYL]’s wagon. Silvers’ distinct personality encourages mit sprechen: a good conversation and a good night at the bar or up on the stage. The honeymoon’s not over yet for this [DARYL] lineup, and there are enough rocks in the road ahead, but the friction hasn’t yet built. Maybe, like in solid marriages that last beyond the bloom of first love, when the tension flows Silvers will channel it into some new lyrics about good friends in
Originally published in Venues magazine April 2005
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