
What an amazing show. Go! Go!
This is the ultimate indie rock Christmas gift, from them to us.
Indie rock and photography, and a few other things I know.

1. Thursday... Art Conspiracy 2 setup
8:30am and it's sleeting and wintry and I'm not yet awake, and White Rock Coffee has the best pumpkin spice latte in Dallas. Driving past SouthSide Lamar, under dripping bridges into unknown territory, I haul shopping bags of sticky magnets, scissors, and giant contact sheets of photos into the barn of the unheated Longhorn Ballroom. ugh. There's a reason I'm no longer a Northerner, and it's winter. I shiver uncontrollably when it's below fifty out; below 30 is misery. Below 30 and raining? ugh. But seriously, the roads were fine. I'm enough of a Yankee not to be able to bitch about a few icy potholes. My latte and stuff in place, I got to cutting and cutting and cutting my photo collage together. Thanks to Erica Felicella's girl scout preparedness with materials, I actually finished my piece in close to the allotted three hours. OK, it took five, but I chatted some. To warm up. (D- your Creative Memories comments were little appreciated.) Frank Campagna was in and out in twenty minutes (ugh. I'm freezing here!); Jayme Nourallah sitting on cold, bare concrete was dedication in action; Sarah Jane ran about mumbling about breakers, and Erica, Cari, Andrea, and Jason were flitting, getting it all in order and to keep warm, I'm sure. By 1pm, the organizers no longer outnumbered the artists, and I left with the uncomfortable feeling I could have made my piece better, or at least differently. I have lots of ideas for next year, anyway. I couldn't have cut another square; the blisters would have bled.

2. Friday... ArtCon show
The Longhorn Ballroom's not hard to find. Head past the warehouses and train tracks on Industrial and look for a 50-foot fiberglass bull, with horns long enough to skewer a semi. The U-Haul demolished entry hauled away, it was easier to figure out where in the Disney-land Country kitsch façade of the Ballroom was the entrance to ArtCon. That and all the seriously out-of-place hipsters filing in the door. Wagon wheels and magenta hair just don't mesh.
The room is giant, football-field big. My piece wasn't where I left it, and thankfully it had sold before I even arrived. I wouldn't have done well watching the auction. Thank you Andrea, for buying it. It's so cool that it'll hang in the house of a friend. That keeps it within "the family", which is the pervading feeling of ArtCon… a family of the Dallas art community. The art ran the gamut of student and amateur (um, that's me) produced to the polished professional of artists such as Cabe Booth, Jennifer Morgan, and Jeff Stachowski. Bids may begin at $20, but the art is far more valuable than that, both in materials and in sentiment. That Art Conspiracy raised only $9000 proves that it ain't about the money, though all of that goes directly back to the art community supporting the event in sponsorship of La Reunion. A friend took a good long look around the room and said, "I had no idea. No idea that there were so many creative people in Dallas." Join the family.
More Art Conspiracy 1 & 2 photos here.
3. Friday later... The Cavern
ArtCon finished early, around 11pm after the pinnacle of Salim Nourallah's set. I was going to head out early, but the thought of missing The Polaroids – Salim's all-star team of Daniel Hopkins, Chris Holt, Eric Neal, and Chris Carmicheal – would have been a crime. They don't get to play together that often, considering how many musical projects the players work in separately.
But after the great show I wasn't ready for bed, and at 11pm, it was late to head over to Barley to see Jayson Bales (I think my penchant for his non-twanging roots is abundantly clear) and the Transcenders, so I managed to get thoroughly lost in downtown and just barely make The Chemistry Set's set at The Cavern. Plus The Valentines were playing, and I'd been a fan of that band since their interview killed dconstruction.org. Not actually because they ended Robert and Lindsay's drunken opining; I love any band with that much energy and talent. I'm dying for a Valentines CD, but after a break-in at their Houston producer's studio (serves you damned right for recording in Houston: two words... "Stuart" "Sikes"… I have other words if those don't fit… call me) and the loss of the masters, I guess I have to wait a bit longer. Their merch table was conspicuously empty at The Cavern.
So, Chem Set and Valentines; John Solis at Method Entertainment is a booker I can happily support. Solis has got an ear for talent. Method, Callithump, Listening To:, the stellar Spune … we have it good in Dallas… great people putting on great shows. The Chemistry Set blow me away each time I see them, they are solid, and when they get pushed a little, such as with a crowd-required encore on Friday night, Stephen Duncan goes ballistic on his guitar and gets his rawk on.
4. Saturday... Tony Bones benefit show at Kettle Arts
So, you know a kid, and he's a little unruly at school, drawing all over the desks and stuff, then he gets to be a rebellious teenager and he's tagging walls and doors with his alias and some stick-figures. What's a good Dallasite to do? Throw him in jail! Ban him from leaving the city! (huh? OK, that punishment makes zero sense to me… you're a miscreant, therefore we don't want you to leave. Uh, all riiiighttt…) DPS catches the thug in a city-wide round-up and then slaps community service on him! Good for you: go make him beautify something, by painting it with his art! What? Well, despite Dallas' well-meaning but contradictory justice system, Tony Bones is a semi-free man today. And we're so glad of it. I love that he can't leave. Please stay. I have a wall on my house you can "tag", in fact, you're welcome to my fridge, garage door, sidewalk, whatever. Please, please. And thanks… especially to your mom, for buying my photo. That made my night (week, month).
5. Saturday later... Reunion Tower Review.
Two art pieces sold in two days and I was walking on air, trying to get to Sons of Hermann Hall (read more about Sons here) before the night of the musicians I've affectionately tagged "the Barley crowd" is over. Why Barley? Because on any given night – weeknight, weekend, holiday, afternoon, just kidding – you can find at least one of them hanging the Barley House if they aren't actually playing a set there. Carter Albrecht, Salim Nourallah, Jen Nabb, Trey Johnson, Chris Holt, Don Cento, Danny Balis, Solly, Peter Schmidt, Kim Pendleton, the Shibboleth guys and an amazing bluesman Bobby Patterson play Sons in a musical songswap/cover greatness show. Chris Holt and Jen Nabb cover Meatloaf in the best of the night; man, that was brilliant. I missed the earlier Shibboleth goodness that Robert Wilonsky raves about… and posts. Hal Samples took photos. Other friends hang. Lovely, lovely and I just soaked in it all. I love the music scene… look in the sidebar of this blog for the photos. It's good to be here, with friends.
Yes, it's a repost from the Zac Crain for Mayor MySpace, BUT this double CD is worth noting because it's so amazingly great. There aren't adjectives enough to gush about it. When we can buy it, I'll link to it again, but for right now, we just have to chomp at the bit and wait.
ZfM Benefit CD coming soon! Plus: December happenings
With any luck, we'll have the Zac Crain for Mayor benefit CD in stores and online by the end of the month. It will truly be a win-win for all involved -- you get 32 great tracks for a reasonable price; I get some financial support as I take on a heaping handful of candidates with pockets deeper than Barry White's voice.
To whet your appetite, here is the approximate track list. Might be a mistake or two as far as the sequence.
Disc 1
1. Fishboy, "The Ballad of Zac Crain"
2. The Crash That Took Me, "Julianne" (this is Dylan Silvers and Beau Wagener from [DARYL] plus others.)
3. Philip E. Karnats, "When the Stereo Broke Its Back"
4. Pleasant Grove, "Luzern"
5. Centro-matic, "Atlanta"
6. The Paper Chase, "Oh! The Horror! The Horror!"
7. Pikahsso, "God for a Day"
8. Shanghai 5, "Love is a Racket"
9. Here, In Arms, "Darling"
10. Smile Smile, "Taking its Toll"
11. Sorta, "Grown Man"
12. I Love Math, "These Paper Walls"
13. The Dutch Treats, "My Bionic Hand"
14. Dove Hunter, "What Turns Inside"
15. Red Monroe, "Our Love"
16. Tim DeLaughter, "Winter Wonder Slumber" (aka "of the Polyphonic Spree")
Disc 2
1. Shibboleth, "Pokky Pokky"
2. Ben Kweller, "Magic"
3. American Werewolf Academy, "Summer Ship"
4. Rhett Miller, "She Loves the Sunset"
5. Voot Cha Index, "Japan"
6. J.D. Whittenburg, "The Secrets That I Keep"
7. Radiant*, "That Girl"
8. Salim Nourallah, "It's My Dream"
9. Hydroponic Sound System, "Lone Star Uprising"
10. John Dufilho with Robert Schneider (of Apples in Stereo), "I'm Jinxed"
11. Saboteur, "Bitchin' Into Oblivion"
12. Pilotdrift, "...you know the world is wonderful" (ooooo ... new Pilotdrift!)
13. Olospo, "You Deserve Better"
14. Rose County Fair, "Midnight on the M Streets"
15. Hardin Sweaty and the Ready to Go, "The Fall"
16. Dave Little, "Zac Crain Ain't No Laura Miller"
We're hoping to have them ready for the benefit gig at Club Dada on December 30, a bill that features Sorta, The Crash That Took Me, an acoustic set from The Paper Chase, and Hardin Sweaty and the Ready to Go. Be on the lookout for an advance preview of selected tracks from the disc in the extremely near future. (this is a FUN bill. Forget New Years Eve - go to this!)
For more December happenings, go here. And, as always, remember to vote on May 12, 2007.




